19th century Paris painting:   I believe we could just call this painting "From The Outside Looking In", or Vincent, your dinner is getting cold; Another lost legacy amongst many more, I would only guess around three to four thousand to add to the total below.  If you want to add all of works which was sold at market places, mostly out of landlords wheel carts for five to ten cents a piece, being his lost drawings, ink washes, watercolors, oil paintings, etchings, works of Asia,  his original lithographs, and work from youth, you might want to consider adding about 10,000+ more to the lost legacy results below. Click on lost legacy for dictionary definition.   Searched the web on Google for Lost legacy.  Results   about 2,580,000    Size of canvas 20x24 Frame 24x28  Description:  Believed to have been painted in Paris 1886.  Size of canvas 20x24 Frame 24x28 The links below will take you to different magazine articles written by myself and by the Editor-in-chief  Eamon Graham of Bohème Magazine Online.   If you are interested in bidding on this painting I would suggest reading as much as you can of all the links.  The articles will give you an Idea where I am at in my studies.  Only bid if you truly want to own this painting that I am offering out of my collection with just my own attribution and no one else's.     This link   http://www.boheme-magazine.net/sep03/miller.html    will take you to Bohème Magazine Online A Response to the Article "The So-Called Van Goghs" published in ARTnews (2000) at   http://www.artnewsonline.com/pastarticle.cfm?art_id=751    This link   http://www.boheme-magazine.net/nov03/nitwtch.html    will take you to Bohème Magazine Online article on The Night Watch's Hidden Mysteries by Editor-in-Chief Eamon Graham. Please    This link  http://home.rmci.net/art-zee/newweb/vg3d.html    will take you to my website discovery and description of Vincent van Gogh's last painting before his death.  Feel free to browse through my website.    You might want to check out my discoveries on the decipherment of Rembrandt's Dr. Faustus. http://home.rmci.net/art-zee/newweb/bob1d.html   If you have any questions on this painting which has absolutely no authentication or provenance, feel free to ask me your questions before bidding through eBay's ask seller a question.  I will answer all logical inquires.     Buyer pays exact shipping, insurance costs to be determined after sale depending on buyers needs. Please do not bid if not interested in being this painting new owner.   This frame was added by myself and did not come with this painting.  I know it's a little busy for this painting, but what the hell.   The two brothers, Vincent and Theo faces in the water. Photo enhancement showing the comparison of a known painting. "Tree Trunks with Ivy" 1889 and this earlier painting of a hospital with a nurse looking out a window for the artist, and I believed painted in 1886. The canvas hasn't as much paint as his later paintings and in some places in looking through the canvas with a strong light behind looks to be a bunch of real small areas without much paint or without any.  If you look in each corner close you might be able to see Vincent pointing at his trick signatures which cannot be duplicated by any other artist the way he himself produced all of his works of art.  This is what made him the genius he is considered to be and he knew it himself while talking many time about without recourse to the old tricks and eye-deceiving devices of intriguers." Another LoST Legacy, perfect condition of Three painting found at estate sale the other two being flower paintings.  The one needs some restoration that reminds me of "The Potato Eaters" which has some rips and tears and paint loss, while the larger one was in better shape and was applied to a masonry board for restoration.   I know a lot of you do not believe Vincent would sign a painting in this way, but don't kid yourself.  Vincent and his Brother Theo was not getting along to well while he lived with him in Paris the year and half or so when he went there against his brothers wishes from Antwerp.  It has been said many time in many books and letters that he was sponsored by many other means of dispersing with his art.   Most all his works at that time were concidered by Theo and his colleagues to be worthless.  This was the period he went to Cormans Studio and met Bernard and the rest of all those young gentlemen as the art experts would say.   The Flower painting above is the one that needs some restoration repairs and like I said, reminds me of "The Potato Eaters".    Painting  has some rips and tears and a couple of spots with some paint loss. This was the period in Paris where Vincent at the age of 31-2 studied in Cormans Studio and met Bernard and the rest of all those young gentlemen art students as the art experts would say.  I would have to say the man at the back of the class with a colored in yellow face is in fact Vincent van Gogh as for as my own expertise is concerned.  The experts say that it can't be Vincent because Vincent and Bernard was not known to be there at the same time period. When most go by what was said by the ones who had no idea where his works of art from that period are at and what his paintings even looked like wind up reconstructing the period to fit their own liking and to go along with the stories which was made up in the past to fit what they now have in collections representing works of are done by Vincent..  Isn't it amazing that the experts can see the other known artists, but they cannot see Vincent sitting at the back of the class at Cormon's studio. Emile Bernard at the top right, shown by the arrow, and Toulouse-Lautrec at the left on a stool next to the students gathered round their distinguished maitre sitting in front of his easel. Vincent wrote in a letter to Livens,"I have been in Corman's studio three or four months, but I didn't find that so useful as I expected it to be."  letter to Bernard, " I persist in believing that you will discover that in the studios one not only does not learn much about painting, but not even much good about the art of living; and that one finds oneself forced to learn how to live in the same way one must learn how to paint, without recourse to the old tricks and eye-deceiving devices of intriguers." How little time it takes people to forget history that continues to repeat itself.  Oh hell, that can't be Vincent, he'd be right there bugging Corman and all those younger students.  Not sitting in the back of the class close to his good friend and artist Bernard. This is a blow-up of the stamp on the back-side of the canvas to identify the supplier. Above two pictures I believe is an example of what a scanner would be able to compare for the percent of matching brush strokes and the marvelous use of color. Isn't it strange that these photo enhancements done to these two paintings shows us they have the very same techniques in the brush strokes and shows us the very same hidden imagery or very possibly just me.   I took Emode's Ultimate IQ Test and the result was;  Bob, you are a visual mathematician.  Did you know this means you are gifted at spotting patterns.  This and your overall high intelligence makes you good at understanding the big picture. "Life isn't like a box of chocolates ... it's more like a jar of jalapenos. What you do today might burn your ass tomorrow. " - Author Unknown - If you believe that I am a artcon, I will make it easy for you to make your complaint.  If you really feel you need to make a complaint, click here:   http://www.ifccfbi.gov/index.asp  Just make sure you can back up your claims, and possibly in a court of law. See if you can you see the hidden imagery in the yellow roses behind the white and red roses?  By the way, The concidered top van Gogh expert on fake paintings of Vincent's "Sun Flowers" told me at one time in an email that my Munich Sun Flower painting was the best copy he had ever seen before our communications abruptly stopped.  It was amazing what this man had to say before he found out who he was communicating with.     These four painting all came out of the same estate sale in "95".  The bottom three are all signed with  the same eligible signature.  The top painting of the Paris bridge seine is not signed which was pasted into the picture and is much smaller than the other three.  The question has remain the same over the last few years of myself being an eBay users and on the Internet ;  Just who is Bob Miller?    Below Is Vincent's writings which I would say would be referring to the content of his last letter.   Theo happen to have found this letter in Vincent's vest pocket, a letter describing Vincent's last painting to his brother.  I believe it has never been published for the eyes of the general public to read, but I guarantee more than one had read it, and more that likely it was read to the artists who attended Vincent's funeral to have been written about. Theo got up and turned to the collection of Vincent's canvases. Vincent looked at his brother in amazement.  How well Theo had said it all!   Vincent thought Theo to be more intelligent than all the modern critics and poets.  I believe Vincent writes this in the present tense in his last letter to his brother Theo;   "My Dear Theo, in general there is something in the metamorphosis which I had just sketched and painted.    If, however, such interpretations were possible, no doubt the reverse could be deduced with equal logic.   It would be good to know the truth before it is too late.  I  believe that I was just painting , say a tree or a women, without offending anyone, and instead of a tree or a women I painted something jagged, which hurts people and stings them, something over which people stumbled, something they find very irritating.   So the question arises as to whether it would have been wiser not to offend against the present, instead of helping the dim and distant future.    No doubt the future is very great and there may be many good things that will be said about it, but no one has been there yet."  Vincent Died before Theo new exactly what painting Vincent was talking about in this letter or he would have destroyed it since he was planning to promote his brother's work.  What a marvelous painting to evade the eyes of the experts, even after they were warned about it.  I will add the URLS again at the bottom to go to the original painting in my collection that this letter is referring to, just in case you didn't read it or click on the link at the top. This link  http://home.rmci.net/art-zee/newweb/vg3d.html    will take you to my discovery website and description of Vincent van Gogh's last painting before his death.